Bob Flexner's ETA brand Danish workbench

Flexner’s Danish Workbench

Yesterday evening in the weekly Popular Woodworking ‘Week in Review’ email summary I saw a nice post by Bob Flexner — Contributing Editor to Popular Woodworking and well known Finishing Expert — sharing his thoughts on Danish Workbenches.

Bob Flexner's ETA brand Danish workbench
Bob Flexner’s ETA brand Danish workbench

You can read Bob’s post here. Bob shares his thoughts on this form of bench along with some interesting anecdotes on his time in Denmark and importing some ETA benches.

Bob also had a couple questions/comments that I wanted to reply as they are good topics of discussion:

“The first was the top surface. Bill uses two 12¼-inch wide “slabs.” He suggests using three boards instead of two if you can’t find these widths. My workbench is made with slightly less than 1-inch wide boards laminated to form the wide surface. Wider boards could warp over time with humidity changes and water spills. The laminated narrower boards seem to me a better idea.” == Bob Flexner

The slab portion of my bench-top is only 12-3/4″ wide and was composed from two ~7″ wide 8/4 boards that were hand selected. I chose pieces with nice tight and even growth rings oriented to be reasonably stable — trying to get as much quarter sawn grain as I could from those pieces. The wood also sat in my reasonably climate controlled shop for a few years before I got around to building this bench. In the 3 years or so I’ve been working on this bench I haven’t had to re-flatten it at all so far.

When building the bench I gave serious consideration to deviating from Frid’s design and building the top from narrower laminated strips. Given the stock on hand I didn’t think I was buying myself much as it would have been a lot of ripping and jointing and gluing to get a very similar grain profile to what I had. If I didn’t have the quality of wood I had on hand, or if the bench top were thicker, say 4″ thick instead of 1-3/4″  or 1-7/8″, I definitely would have laminated up strips as Bob suggests.

“One more thought. Once or twice in forty years the mortise-and-tenon joints at the top and bottom of the legs have worked loose and the workbench became lose front-to-back. To tighten them I removed the bench top, which just sits on the frame, and drove the wedges that tighten the joints a little deeper. So I don’t understand Bill’s rationale for gluing the wedges in place.”

When gluing the wedged mortise and tenons in place I was following Frid’s advice directly from his books. I believe he used PVA glue, but chose to use hot hide glue so I could have a longer open time and potentially repair it if need be in the future.

Side Note: Below is a photo of one of Frid’s extant benches at the home of his son Peter Frid. (Check out this earlier post wherein I got to meet Tage’s son Peter and Grandson Oliver) This bench seems to pre-date the ones shown in Frid’s article and books. The example below is likely from the ~1950s.

One of Tage Frid's Original Workbenches that pre-dates his famous articles and books.
One of Tage Frid’s Original Workbenches that pre-dates his famous articles and books.

Notable differences compared to the workbench in his book include hand cut dovetails on the tail vise, a much thinner skirt board and dog-hole strip, wooden screw in the shoulder vise with much larger wooden jaw, a little less refinement in terms of details on the vise jaws and undercarriage. Nonetheless this bench seems to have over a half century of use to its credit and the legs were still solid and the vises moved surprisingly well. It gives some interesting insights into how even Tage Frid’s interpretation of this sort of workbench changed over the years.

I hope to have and use my workbench for many more years to come and I’m sure it will acquire some more scars over the years that become part of its history.

Take care,
-Bill
@TheRainford

P.S. You can check out some other posts related to the Tage Frid inspired workbench along with a simple Deadman, Side-clamps and other similar workbenches out in the wild here.

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