Tag Archives: Carving

Can you spare a quoin? — A visit to Gunston Hall

On a recent trip down to Virginia, my wife and I finally got a chance to see Gunston Hall in Lorton, VA.  This 18th century mansion was the home of George Mason — a patriot, statesman and founding father  often best known as the ‘Father of the Bill of Rights.’

Approaching Gunston Hall
Approaching Gunston Hall

The plantation sits on what became known as ‘Mason’s Neck’ in Northern Virginia on the Potomac River. This handsome brick home was under construction from 1755-1759 and was a formidable mansion in its day. The exterior is brick with distinctive quoins in the the four exterior corners exude a sense of permanence and have helped the home outlast most of it’s contemporary wood clad buildings.

Gunston Hall (From the landed entrance)
Gunston Hall (From the landed entrance)

The detailed interiors were designed by a young William Buckland who went on to design the interiors of other famous homes including the Hammond-Harwood House, Mount Airy (Richmond, VA), and the Prince William County Courthouse.

Obligatory tourist picture of me standing in the kitchen yard.
Obligatory tourist picture of me standing in the kitchen yard.

Buckland worked with the very talented carver William Bernard Sears to fit out the interior of the house. The interior combined elements of rococo, chinoiserie, and gothic styles which was an unusual contrast when compared to the simple decoration favored in Virginia homes at the time.  Although chinoiserie was popular in Britain at the time, Gunston Hall is the only known house to have this decoration in colonial America. [click here for more info — previous sentence paraphrased from this Wiki entry]

Schoolhouse as viewed from front portico of the main house.
Schoolhouse as viewed from front portico of the main house.

Unfortunately the museum does not allow photography inside the mansion, so you will have to take my word for it, but the interior details and carvings are exquisite — from the fretwork in the yellow ochre dining room which imparts a very asian feel, to the gilded rococo baufats and carved egg and dart details on the doors and mantel in the ‘Paladian room’. From what little remains of Buckland and Sears’ original work you can see what gifted craftsmen they were.

3/4 View of Gunston Hall
3/4 View of Gunston Hall

Based on architectural and archeological research, conservators and preservation craftsmen have done an excellent job preserving and restoring the home to much of it’s earlier prominence — from carvings, to wall papers and hangings, to the chinoiserie. Much of this restoration work is fairly recent and the house is deliberately spartan in the areas where they do not have reasonable evidence to say what was there originally. (A refreshing take compared to some other properties wherein the preservationists and curators filled in the blanks as they went and thus blurred the line between was was really there and what is an educated guess on how to interpret a room)

Alee of ancient boxwood
Alee of ancient boxwood

On the rear or riverside of the home you will see the allee of boxwoods that date back to the time of George Mason and may be the last extant example of a once imported Boxwood species no longer found in England. The rear porch was also quite distinctive with it’s Gothic arches.

Riverside entrance to Gunston Hall
Riverside entrance to Gunston Hall

If you are interested in architecture, woodwork, wood carving or early American history I highly recommend a visit to Gunston Hall. It takes about  half day to see it all and explore the grounds and outbuildings. You can learn more about this historic site here.

Signing your name in wood…

It’s easy enough to sign your work with a Sharpie or branding iron…and I’ve done both many times in the past. But what if you are looking for something that will give your work that extra flourish? Or work on a massive scale like a timber framed barn? Or be a new sign for your shop? Often the best solution is to carve your own sign or inscription.

This past weekend I had the opportunity to take a two day workshop in letter carving with Janet Collins at the North Bennet Street School.  I had a great time. Below is a quick recap of how I spent my Superbowl Weekend.

Demonstrating how to make the first cuts
Demonstrating how to make the first cuts

Janet is a graduate of the NBSS CFM program, instructor, former workshop director and accomplished artisan. She has a passion for woodworking and loves sharing the craft with others.

Laying out your letters
Laying out your letters

After sharpening your tools the first step is laying out your text first on paper or a computer.

Transferring your pattern
Transferring your pattern

Transfer your pattern on to the workpiece.

Carving
Carving

Now for the fun part — carefully carving your letters into the piece. You want to take a light touch, always be aware of the grain direction and strive for an even depth of cut.

Carver's natural habitat
Carver’s natural habitat

Just as you can never have too many clamps, you can never really have too many carving chisels and gouges.

Completed name carving
My completed name carving

A raking light and solid platform to secure your work are requisites to success in this sort of work.

Gilding lesson
Gilding lesson

Beyond the carving exercises we were also treated to a nice demonstration on how to gild this sort of hand carved sign.

Janet Collins with completed sign
Janet Collins with completed sign

Pictured here is Janet with her carved and gilded number sign.

Chip carving samples
Chip carving samples

Beyond letter carving, these kinds of woodworking skills can be applied to may other forms of carving…

More chip carving
More chip carving

such as chip carving…

Chip and relief carving samples
Chip and relief carving samples

relief carving…

Celtic knot and floral carving
Celtic knot and floral carving

organic designs, geometric designs, anything you can imagine. The above sample boards are just a few from the large bag of samples Janet brought to show the class.

Carved and Gilded sign at NBSS
Carved and Gilded sign at NBSS

Above is a hand carved and gilded sign honoring the founder of NBSS — Pauline Agassiz Shaw. If you study it carefully you can see how it was clearly laid out by hand and shows many of the tool marks and design cues you’d expect to see in hand work. Pictured below is a nice old sign in the Cabinet and Furniture Making department at NBSS which is a combination of painting and carved details — “All Kinds Of Woodwork Done Here” which is an apt description for what goes on in the upper bench room. I am also partial to the “Please don’t feed the woodworker” sign.

"Don't feed the woodworkers" and "All Kinds of Woodwork Done Here" signs by the entrance to Cabinet and Furniture Making department at NBSS.
“Don’t feed the woodworkers” and “All Kinds of Woodwork Done Here” signs by the entrance to Cabinet and Furniture Making department at NBSS.

After taking this course I have a new sign for my workshop, and a whole new appreciation for hand carved signs. Next time you are walking around your town take a moment to look at some of the carved signs and see if you can differentiate the ones that were carved by hand versus those which were made by machine. After looking at a few of them you’ll likely see that many of the signs with the best details were carved by hand.

I’m looking to make some signs for my barn and workshop and will be sure to post them here on the blog. In the meantime you can learn more about Janet Collins and her work via her website here and here. And if you are interested in taking workshops at NBSS you can find out more here.