Tag Archives: Wood Molding Planes

Reproducing Traditional Molding for the Alvah Kittredge House

The Alvah Kittredge House in Roxbury Massachusetts is a great example of high style Greek Revival architecture in Boston and a tangible link to the city and the nation’s early history.

Alvah Kittredge House in the 1880s (Photo Courtesy of Historic Boston Inc)
Alvah Kittredge House in the 1880s (Photo Courtesy of Historic Boston Inc)

The Greek Revival Style was most popular in the United States during the second quarter of the 19th century. (Approximately 1820-1850) During this time period the population and economy was also growing by leaps and bounds. The United States was still a young nation and many folks wanted to show off their new found affluence.  During this period of great optimism there was a strong belief in the American Democracy and many associated the ideals of the new nation with those of early Greek Democracy. Around this time, access to Greece and the designs of antiquity were also coming into the mainstream as influential citizens like Thomas Jefferson read books like ‘The Antiquities of Athens‘, Benjamin Latrobe and others built out Hellenistic monuments and public buildings in Washington D.C. and other large east coast cities, and builder’s guides like Asher Benjamin’s ‘The Practical House Carpenter’ proliferated the tool chests of local joiners and carpenters. Given this atmosphere many folks wanted to have their own building look like a Greek temple. For most of the ‘middling’ Americans, especially those in more rural and western locales the scale and details would be simplified down to keeping classical proportions and greatly simplifying details to meet their budgets — pilasters instead of columns, simplified moldings or even flat boards attempting to echo the pediment and other design elements of a Greek temple.

Looking up at the portico of the Alvah Kittredge House (Photo by Bill Rainford)
Looking up at the portico of the Alvah Kittredge House (Photo by Bill Rainford)

In places with money — like public buildings and mansions — the builders could afford to go big with design elements like a colonnaded portico and carved relief details in the pediment etc. The Alvah Kittredge house is a great example of a high style Greek revival home which reflected the wealth of its original owner, and of Boston and the US in general at that time.  Not only is the house unusual given how the city has grown up around this once grand country estate, but the scale of the front facade needs to be seen in person to be properly appreciated. The two story portico with its double hung windows and high ceilings required wide and detailed moldings in order to be the appropriate scale for such a magnificent home.

The original crisp detail of this hand run molding is obscured by the many layers of paint over the generations. (Photo courtesy of the Taunton Press)
The original crisp detail of this hand run molding is obscured by the many layers of paint over the generations. (Photo courtesy of the Taunton Press)

This 8 inch wide molding was made by hand using traditional wooden molding planes likely on site and from eastern white pine. This is not the sort of thing you can buy at a local big box store, or millworks supply company. The best way to replicate this sort of casing is to make it from the same materials and in the same manner as the original joiner….

Using a molding comb to capture the profile. (Photo courtesy of the Taunton Press)
Using a molding comb to capture the profile. (Photo courtesy of the Taunton Press)

I started by capturing the molding profile via molding comb or profile gauge which aids in transferring the profile to the newly prepared stock.

Setting in the details with a Snipe's Bill plane. (Photo courtesy of the Taunton Press)
Setting in the details with a Snipe’s Bill plane. (Photo courtesy of the Taunton Press)

Next by using traditional wooden molding planes I carefully set in all the major transitions in the profile

Using traditional molding planes to replicate the profile. (Photo courtesy of the Taunton Press)
Using traditional molding planes to replicate the profile. (Photo courtesy of the Taunton Press)

Many of these planes I use date back to the time period when the Kittredge house was actually built and yields results that simply cannot be duplicated by machine. The original handwork had variations and facets which catch the light differently when compared to stock that is milled by a machine.

Section of new molding alongside an original sample -- a nice match. (Photo by Bill Rainford)
Section of new molding alongside an original sample — a nice match. (Photo by Bill Rainford)

The end result is a near identical match that will help insure that future generations living in the Kittredge house will be able to enjoy it’s many details in much the same way as Alvah did when the house was first built.

If you’d like to learn more about how to make traditional moldings, please check out the related article ‘Master Carpenter Series:Traditional Molding’ I wrote for FineHomebuilding which can be found here  (There is also a related video series which you can find on www.finehomebuilding.com/extras for the Sept 2013 issue)

-Bill Rainford
Preservation Carpenter, Joiner, and Instructor
https://rainfordrestorations.wordpress.com

P.S. The above post was written for my friends at Historic Boston Inc here. You can learn more about Historic Boston and specifically about the Alvah Kittredge House here.

The Road to Roy Underhill: Workshops With the Woodwright

Jointer Plane Making & Name Stamp Workshops

 At the Woodright’s School in Pittsboro NC

 

Are you interested in meeting and taking a woodworking class with Roy Underhill of the Woodwright’s Shop and Woodwright’s School? (Along with Peter Ross the former master of the Colonial Williamsburg Anderson Forge and Bill Anderson a master plane maker – both of which have been on Roy’s show)

I talked to Roy and the guys and they were willing to do a special run of the two workshops below on the following dates*: Arrive July 8th class 9-12th leave the 13th at Roy’s School in Pittsboro NC

* (Given the very long drive from NH down to NC I wanted to try and get a few days in a row down at Roy’s school to get the most I could out of the trip, and I am very appreciative they were willing to do so, but we need a few more people to sign up in order to run it) So if you are interested in one or both of these sessions I encourage you to sign up soon.

 

http://www.woodwrightschool.com/name-stamps-w-peter-ross/

1 Day class $145 + $40 materials

Peter Ross Name Stamp Workshop
Peter Ross Name Stamp Workshop

http://www.woodwrightschool.com/making-bench-planes-wbill/

3 Day class $425 + $115 materials (beech + plane iron etc) to make a massive single iron jointer plane

Jointer Plane Workshop
Jointer Plane Workshop

Total: $725 Tuition and materials for 4 days + your own food and lodging. I will be driving down (11hour drive from NH) and if folks from NBSS or the general Boston area are interested in joining me I can carpool. Hotels in the area are $55-100/night.  Info from Roy on what it’s like to take a class at his school can be found here.

I also hear there is a good pizzeria behind the school that Roy has been known occasionally have a drink with the students after class and above the school is an old time used tool shop that has similar stuff to what we hunt for at the Nashua Tool show.

If folks are interested, we could also take an extra day to go see nearby Old Salem, which is home to the Museum of Southern Decorative Arts and a Moravian living history museum much like Colonial Williamsburg. http://www.oldsalem.org/ It’s kind of a crazy adventure, but I think it would be a memorable experience.

For more info, please contact me or sign up at Roy’s site:

You can reach Bill Rainford at: (My firstname ‘dot’ lastname at facebook.com) — or via my blog or my linkedin page

Woodwright’s School Registration Page

Hand Tool Heaven — Shaker Barn at Shelburne Museum VT

Can’t get enough of 17th and 18th century hand tools? C’Mon I know I’m not the only one…..

Reconstructed Shaker Barn is home to the tool collection
Reconstructed Shaker Barn is home to the tool collection

In a rather unassuming barn deep inside of the Shelburne Museum in Shelburne VT you’ll find a treasure trove of antique tools on display. The collection has a large display of classic woodworking tools and many specialty trades like coopering, timber framing, bookbinding, locksmithing, shoemaking, blacksmithing and many other common trades of yore.  Sounds almost like a listing of the majors we have at NBSS. 🙂

Molding planes
Molding planes

Every time we go, it’s always the first thing I want to go look at, and while it may seem a lost world to many, I’m always giddy to see how many tools from the same time period I’m regularly using in my own shop. It’s one of the best collections of traditional woodworking tool’s I’ve seen and it’s all on display.

In addition, the Shelburne also has great period houses, a paddlewheel steamship, lighthouse, classical and modern art, a huge collection of old toys, wagons/buggies/sleighs, rotating exhibits and events. If you are ever in the Burlington VT area I highly recommend you spend a day at the museum.

You can find out more about the Shelburne Museum here.

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