Tag Archives: eastern white pine

26 Horses and 2 Ponies

The best saw horses cannot be bought in a store, you have to build them.  I’ve seen plastic saw horses bend and buckle under < 200 pounds of load.  I’ve seen 2×4 saw horses with sheet metal couplers deform and crush.

When I was a student at NBSS one of the first projects we completed was building a pair of solid wood saw horses that could meet the heavy demands of a preservation carpenter. The school would load them up with more material than I ever thought a simple horse could hold. I was so impressed with how well they turned out I built 10 more while I was there and they have served me well over the years.

28 horses out on parade
28 horses out on parade

Right now as I build a 24’x30′ timber framed barn out in the yard I built another 28 horses to hold all the timber off the ground for sorting and working through the piles. The post below covers how I built these heavy duty horses.

For a large run of horses like this it is important to run through each operation like a small assembly line, though at times it can feel like a slog — after cutting 112 legs you become a master at optimizing all of your operations.

Large pile of green eastern white pine ready to go.
Large pile of green eastern white pine ready to go.

The wood of choice is green eastern white pine we buy from a local sawyer/lumber company. (Copeland And Sons Lumber).  The beams (the work surface of a horse) is cut from a 4x4x12′, the legs are made from 1x6x12′ boards and the gussets are made from 1/2″ CDX plywood.  Buying rough green stock like this from a sawyer helps keep the price per horse reasonable and the wood is full size, not nominal, so my 4×4 is 4″x4″ when I get it.  I estimate that they cost me < $10 each in terms of materials.

You can see how much moisture is still in the 4x4s
You can see how much moisture is still in the 4x4s

A note on working with green lumber, for horses or timber frames or similar projects — this wood was a tree possibly only a day or two before I get it, so if you use a power tool you may get some water spray on you. Be warned. Also make sure you wipe down and oil your tools appropriately so they do not rust. In the photo above you can see the outer 1/4″ or so that has dried a bit vs the wet center on this fresh cut off piece.

Stack of cut beams
Stack of cut beams

I start by cutting the beams to 36″ long. I then cut a 12 degree bevel on two sides. If your table saw cannot cut a full 4″ on an angle you can cut as much as you can, snap off most of the waste and then use a jointer or portable power planer (like 3-1/4″ Makita Door planer) to even out the side.

I also stamped my name into the end grain of each beam with my name stamp. It makes it easy to tell my horses apart from say another friend from the school.

Beam and gusset with dimensions. I also used my namespace on the beam end grain.
Beam and gusset with dimensions. I also used my namespace on the beam end grain.

Next up I ripped my 4×8 sheet of 1/2″ CDX plywood into ~4″ wide strips. I then took a second pass on each strip with the blade set to a 5 degree angle. This allows the gussets to nestle up tightly against the beam during final assembly.

Cutting compound angles for the legs. 5 degrees and 12 degrees.
Cutting compound angles for the legs. 5 degrees and 12 degrees.

Next up I cut all the legs. I set the compound miter saw to cut at a left tilt of 5 degrees and a right rotation of 12 degrees. (See image above). The long side of each leg was cut to be 34.75″ long.

Ripping the legs to a consistent width
Ripping the legs to a consistent width

With all the legs cut I ripped the rough edge off of each board, then ripped the other side so all the boards landed at a consistent 5.5″ width.

Stacks of cut legs
Stacks of cut legs

You don’t have to plane the boards to thickness if you don’t want to. Leaving them as thick as possible added to the strength and I am not thrilled about passing green wood though my cast iron tools and into my dust collection system.  My site chop saw and portable table saw both have aluminum tops which deal better with the wet wood.

112 legs ready to go
112 legs ready to go

All the legs are the same, though above I stacked them to make sure I had a correct number for all the horses I planned to build.  I also used a low angle block plane to break all the edges on the boards since they will be handled many times over the years and you don’t want any splinters.

Stacks of cut legs and beams back in the shop
Stacks of cut legs and beams back in the shop

I then brought my wood into the heated shop as we were getting some snow and stacked them as you see above. This was a big mistake as I’ll describe later. I planned to be out there the next day but with snow and a baby in the house they sat out there for a week. If you bring sopping wet/green wood into a heated shop, make sure you sticker them so air can flow around all the edges and the wood can dry evenly.

Layout for the 2" ceramic star drive deck screws.
Layout for the 2″ ceramic star drive deck screws.

With all the legs cut I started to layout for the screws. I grab two combination squares and set one to be 1″ and set the other to 2″. This allows for fast/efficient layout. (see above image). Each of the screws is either 1″ or 2″ from the edge or top of the board. The screws are staggered to help avoid splitting the wood. I used DeckMate 2″ ceramic coated deck screws that have a nice thick shaft and are rated for outdoor structural use and do not rust. Do NOT use drywall screws on this sort of project, they are far too weak and not meant for the outdoors. One 5lb box of #8 2″ screws was enough to attach all the legs. After layout I pre-drill each of the holes and start the screws into the boards — this makes it a lot easier to assemble the horse later on.

Laying out the beam. 5 degree angle is set in 2.5" from the end. The top of the legs should be 1/4" below the top of the beam.
Laying out the beam. 5 degree angle is set in 2.5″ from the end. The top of the legs should be 1/4″ below the top of the beam.

For the beams I make a tick mark 2.5″ in from each end on the top edge of the beam. Using a protractor I make a 5 degree line down the side of the beam — this splays the legs and gives use  nice stable horse. Having two protractors on hand is nice as I have one set for the right and one set for the left. I then set a combination square to 1/4″ and make a line along the top edge of the beam — this allows me to line up the legs during assembly. I also broke all the edges with a block plane.

Another horse ready to be assembled
Another horse ready to be assembled

Early on I made a few pairs of saw horses to work from and did the majority of the horses as a large run.

Attaching the legs — I added one leg at a time, usually only sinking 2 or 3 of the pre-started screws into the beam. I add one leg, then add the second leg on the same side of the beam. This makes it easier to stand the horse on those two legs and add the third leg. When adding the 4th leg you’ll want to make sure all 4 legs are properly resting on the ground. If your horse wobbles this is your chance to adjust the legs. When the horse is standing the way you want you can sink the rest of the screws on the legs. When using an impact gun you don’t want to sink the screws any further into the wood than you absolutely have to. Ideally the screw heads should come to rest in the same plane as the surface of the wood, but green pine can be a bit soft so some of them may go deeper before they have enough grip to pull the leg tight to the beam.

Mass producing gusset plates.
Mass producing gusset plates.

With a beam and set of legs ready to go and standing nicely you can take a plywood gusset blank, bring it over to the partially assembled horse and trace where it meets the legs. Ideally the gussets should not stick out farther than the legs, otherwise they might catch on things. Making them say 1/32″ inside of the surface of the legs is what I shoot for. Using that traced piece I cut it and label it as a the template and use that for laying out each of the subsequent gussets

Important Notes About Gussets:

1.) When cutting the gusset the beveled end is always ‘up’ on the installed gusset — it mates nicely to the underside of the beam.

2.) When installing a gusset make sure the 5 degree bevel is facing the correct way so that it rest tightly up against the beam.

 

Impromptu work table
Impromptu work table

With a few horses pressed into early service I was able to make a makeshift table that allowed me to layout/mark all the of the gussets. Each one is secured with 4 screws. I made a mark for each screw to be 1″ down from the top or the bottom of the gusset and centered on the thickness of the leg, so for most that would be ~3/8″ in from the mitered edge. I turn a horse on its side and place the marked gusset where it is going to go. I then pre-drill the gusset in place and drive the screws. I used #8 1-5/8″ Deckmate Ceramic Star-drive screws and again a 5lb box was enough for this project.

Each horse required 16 2″ screws and 16 1-5/8″ screws.

Saw horse with dimensions.
Saw horse with dimensions.

And now we have a completed horse! The image above has some more dimensional information for quick reference.

Lunchbox planer getting a workout
Lunchbox planer getting a workout

Now back to that mistake I mentioned earlier. By leaving the cut wet boards tightly stacked a mold/fungus quickly bloomed on half of the boards. I have a lot of allergies so I didn’t want to handle those boards any more than I’d have to, and it was unsightly, so I suited up and with my dust mask and fed them through my lunchbox planer. I also didn’t use my dust collector as I don’t want that wet fungus living in my filter. I planed the rough boards smooth and stickered them up to dry in the sun as I worked on other horses.

Letting the legs air dry a bit
Letting the legs air dry a bit

That little mistake accidentally created ‘Denim Pine’ — pine boards with a blue tint that results from that fungus blooming and is desirable to some folks, presumably non-workers that like the look of it. (See above and below). With the mold/spores/fungus/grossness removed and stickered the legs will dry and be fine to use. As I completed each horse it will live out side where it can dry at a steady rate until the barn gets finished.

Some 'Denim Pine' Legs
Some ‘Denim Pine’ Legs

How do you store all of these horses? 

Mass producing gusset plates.
Stacked horses.

The horses stack nicely and even when stacked all the wood can dry nicely.

Wide angle view of the horses
Wide angle view of the horses

This was the largest run of horses I’ve made to date so I set them all up out in the driveway just to see them all in one place.

2 ponies in the foreground 26 horses in the background
2 ponies in the foreground 26 horses in the background

Two of the horses, my ponies,  had a 24″ beam as two of the 4x4s were a little short and I thought it would be nice to have a set that can fit into a tight place.

It looks like a TON of horses, but these 12, plus the 12 I already had will just barely be enough for the barn build.
It looks like a TON of horses, but these 12, plus the 12 I already had will just barely be enough for the barn build.

What do you plan to do with all these horses?

A LOT of shiplap siding on horses. 10-12" wide 16' long pieces
A LOT of shiplap siding on horses. 10-12″ wide 16′ long pieces

Above and below you can see a couple thousand linear feet of 16′  shiplapped pine sheathing held with ease by these horses.

A LOT of shiplap siding on horses
A LOT of shiplap siding on horses

In the photo below are 24 2″ thick 12″ wide green pine planks that will be used in the barn loft. I estimated this wood to weigh 1800lbs and the 4 horses below seem to hold it with ease.

4 horses holding over 1850+lbs of green pine planking
4 horses holding over 1850+lbs of green pine planking

And below are some 6×9 25′ long timbers.

Horses holding 6"x9"x25' timbers
Horses holding 6″x9″x25′ timbers

As you can see these versatile horses are at home in the shop or out on a worksite and I hope that you’ll build a few pairs for yourself. If you do, please let me know in the comments.

Take care,
-Bill

Making a Window Sash Part 1

Building a window sash by hand can sound intimidating, but with some practice it can be an enjoyable experience. Early window sash were built by hand designed to be maintainable — if a component broke or rotted out it could be replaced — something that is not possible with most aluminum and vinyl windows you see on the market today.

Continuing Education Department at the North Bennet Street School, Boston, MA
Continuing Education Department at the North Bennet Street School, Boston, MA

A few weekends ago I taught a two day workshop I developed on building a window sash at the North Bennet Street School. This post and the next are a high level recap of the course with some photos from building the prototype in my workshop and what we did in the classroom

Nice quarter-sawn stock for muntins.
Nice quarter-sawn stock for muntins.

Stock selection is important. My wood of choice is Eastern White Pine, preferably quarter-sawn heart pine which is easy to work, weathers well and historically appropriate in my area — the greater Boston area.

Sticking Knife Profile in the Williams and Hussey
Sticking Knife Profile in the Williams and Hussey

A profile can be run by hand using sash planes or using a router table. For larger runs a custom molding knife can make fast work of this often tedious task using a machine like the ‘Williams and Hussey’ molder. (Shown above and below)

Profiling the stock
Profiling the stock

We make a few passes to get near the finished size wanted and then a final cleanup pass at the end to leave the piece with a nice finish.

Profiled stock coming out of the molding machine
Profiled stock coming out of the molding machine

Rails, stiles and muntin stock are run using the same setup on the machine — this way all the profiles are consistent.

Rails, stiles and muntin stock profiled.
Rails, stiles and muntin stock profiled.

Next up is the use of a story stick — this traditional device is effectively a set of plans laid out on a piece of stock that matches the rest of your milled stock. Key locations like mortises are transferred to the work piece by using a marking knife and a combination square. The knife allows for accurate and consistent transfer of measurements to the work-piece.

Using the story stick to transfer measurements to the work piece
Using the story stick to transfer measurements to the work piece

Shown below are mortises cut either with a hollow chisel mortiser or by hand with a mortising chisel. Also note that the work pieces are deliberately left long. These ‘horns’ allow for more relish to support mortise walls from blowing out and also allow the sash to sit in the shop and not ding or damage the piece as it is worked on and eventually glazed.

Mortises cut
Mortises cut

Once the mortises are cleaned up its on to cutting the tenons. Once the piece is laid out I start by cross-cutting the shoulders. (See below). I then use a chisel to pop off the waste or for larger tenons will make a second saw cut (This time ripping down to the shoulder cut) and clean it up with a chisel.

Cutting in to reveal the tenon
Cutting in to reveal the tenon

With the shoulders in place I can dry fit them (using the square shoulders that are on the exterior side of the sash) to make sure I have a tight fit as seen below.  Note that I am not fitting the tenon yet, just the shoulder to start.

Test fit the central muntin
Test fit the central muntin

Next up was the coping. I make use of a saddle block with a 45 degree ramp and some in-cannel chisels to cope the muntin stock as shown below.  With the cope in place I can now test the fit of each of the tenons into its mortise.

Tenon complete and profile coped
Tenon complete and profile coped

This creates a nice tight joint that allows the pieces to mate together in a pleasing manner that allows to profile to make that 90 degree transition from the horizontal to the vertical.

A nicely coped joint
A nicely coped joint

I use a similar process for fitting the horizontal muntins — starting first with the center joint as this can be fussy at times. I want each horizontal muntin to meet cleanly in the center and have both tenons fill as much of the mortise as possible. I leave the stock long so if something goes wrong with the joint I can cut off that inch or so and try again without wasting a whole piece of stock. With the center joint in place I’ll cut the other shoulder and fit it as we did with the vertical muntin and then cope the joint and test those tenons.

Test fitting the shoulders for the horizontal muntins
Test fitting the shoulders for the horizontal muntins

With all the primary joinery completed its time to dry fit it all together and check for square. All the joints should fit together well and the shoulders and copes should be nice and tight.

Test fitting the primary joinery. Note the horns will remain until we paint the sash.
Test fitting the primary joinery. Note the horns will remain until we paint the sash.

If your joints close up with some mild pressure don’t worry too much as the draw bored pins will help pull the joints together and keep them closed. With each stage in this process the sash becomes more and more rigid.

In the next post we’ll talk about making pins, draw-boring, cutting glass and glazing.

Take care,
-Bill

A Good Shutter Can Be Hard To Find

You don’t often see a good working pair of shutters on a newly constructed home. Most times you see a pre-fab set of vinyl shutters screwed on to the side of a house or no shutters at all. The vinyl shutters usually have no hardware and often are not properly sized for the windows they are adjacent to. I want to reverse that trend and make sure at least a few folks know how to make a traditional wooden shutter.

Shop plans for my Shutters Workshop
Shop plans for my Shutters Workshop

I designed and taught an Introduction to Shutters Workshop at the North Bennet Street School this past weekend which was a lot of fun. Beyond my usual hand drawn plans I also modeled this project in SketchUp. (You can read more about that effort here).

The class hard at work
The class hard at work

In the class students learned how to make a shutter using traditional hand tools and via power equipment. They were able to weigh the pros and cons of each against their skill sets and use what was most appropriate to their project. (Some folks will be repairing a few shutters, others will be making enough for an entire home)

Making octagonal pins
Making octagonal pins

After building the frames, cutting all the mortises and tenons, and fielding the panels, everyone learned about traditional draw-boring. By making and using tapered octagonal pins and driving them through the offset hole drilled into the tenon, the joint is drawn together. This joint uses no glue, is quite strong and can be serviced in the future if a rotten piece needs to be replaced.

John finishing up his shutter
John finishing up his shutter

We also discussed many design options, regional variations and examined several examples we had on hand. It was a busy two days, but I’m hopeful that we’ll see some proper new shutters start popping up in the area.

Group picture with some finished shutters
Group picture with some finished shutters

Take care,
-Bill

P.S. I have several more workshops coming up at NBSS over the next 3 months if you are interested in joining me — there are still a few seats available. Up next is Traditional Molding with wooden Molding Planes in April, Saw Horses and Saw Hurdles in May, and Making a Window Sash in June.  You can learn more about each of them here.

Boxes for every occasion…

Building customized storage solutions is one of the joys of being a woodworker. I never seem to have enough storage at home or in the shop. On days when I don’t have a lot of time in the shop, when I have some nice scraps I want to use or when I want a quick warm-up, I often find myself making boxes and other storage solutions for items I want to take care of. Below are three posts I recently made for Popular Woodworking on their ‘Woodworking Daily’ blog to explore some of my thoughts on this topic. I hope that they will inspire you to get out into the shop and make something today.

Aging 100 Years in a Day

Sliding top timber framing chisel box
Sliding top timber framing chisel box

You can check out this post on making a sliding top timber framing chisel box from eastern white pine, simple rabbet joints and cut nails. It features a weathered finish made from milk paint and wax that will only look better with age and use. You can read the post here.

Working in the Round

Turned Box
Turned Box

This turned cherry box is a great way to start turning round boxes. The hollowing is done via a large Forstner bit. You can learn more about how to do this here.

A Great Box to Have Dinner With

Dovetailed Candle Box
Dovetailed Candle Box

This walnut candle box was one of the first projects I built as a student at NBSS and we still use it today. I’ve seen similar boxes for sale at Colonial Williamsburg (Prentis Store) and various Shaker Villages, so even in our modern times there is apparently still some demand for candle boxes. Learn about some of the details you can apply to your own shop built version. You can read more about it here.

Take care,
-Bill

Reclaimed Old Growth Pine Headboard and Night Stand

A while back I completed a headboard and night stand for a friend of mine from NBSS — Erin who is a very talented jeweler. She made my dovetailed wedding band which I love. (You can check out some of Erin’s other work here http://erindeluca.com/ Tell her Bill sent you 🙂 )

I designed and built the project from reclaimed old growth eastern white pine which was previously a barn in CT. Reclaiming the wood and keeping the well earned patina of time took a lot longer than I originally anticipated, but I am very happy with the results.

Tips on reclaiming old wood:

  • Select wood with interesting character and tight/straight grain
  • Use a metal detector to search for nails or other metal which could damage your planer and jointer knives (and keep rechecking — cleared everything I could originally detect, but as I milled down a piece I found a deeper embedded piece of cut nail that took a big nick out of my planer knives) So from then on I make repeated passes with the metal detector even as I plane down the wood.
  • Be judicious with your planing — it would be very easy to just power through all the tool marks and character and lose a lot of the history of the wood
  • Use traditional joinery and woodworking techniques (I think reclaimed wood looks better with traditional designs)

Project highlights:

  • Old growth detail — some pieces had well over 150 years worth of tight growth rings and many well preserved hand tool marks, nail holes etc
  • Through mortise and tenon joinery that is draw bored and pinned
  • The piece had to make it through some very tight places and I built it in such a way that the legs could bolt off to make it through narrow places (See pics for more details of this)
  • I also concealed leveling feet to make it easier to stabilize on an uneven floor etc
  • Matching night stand has similar character and design to match the headboard. Still has great old saw marks in it
  • Finish included stain, dye for tinting, polyurethane and hand rubbed wax finish

This slideshow requires JavaScript.